Jennifer Stano

  • BIO

    As an abstract artist working primarily in oil on canvas, painting is my method of interpreting the natural, spiritual and emotional worlds, and my art explores the relationship between these inner and outer realms through a very intuitive process of mark-making.  The work is organic, raw and deeply layered, with a vibrant color palette and recurring, multi-layered shapes that create ambiguous natural forms and scenes.

    I am deeply inspired by the beauty and intelligence of the natural world, and these paintings explore the theme of evolution and change, both in the natural world, as well as the inner, personal world. My own journey as an artist has followed many seasons of rapid change and growth, followed by fallow periods of contemplation, reflection and integration. Much like Gaia herself, I find myself closely tied to the ebb and flow of seasonal energy, and this connection is evident in the color and energy of my paintings.

Artist Statement

In these works, map-like imagery and an occasional hint of a horizon give indications of space and location, but ambiguity of scale and perspective invite the viewer to look deeper. Each piece is a process of discovery and it is my hope that these paintings will be a catalyst for viewers to engage emotionally with the work and embark on their own inner journey of exploration.

Jennifer is a contemporary artist based in Prior Lake, MN with a studio in Northeast Minneapolis Arts District at the Northrup King Building. She graduated from St. Olaf College with a BA in Studio Art and Art History, and studied at Parsons School of Design in New York City for Interior Design.  She regularly exhibits her work in galleries throughout the region.

Little About Jennifer

What inspires your work?

I am continually inspired by the raw, organic beauty and energy of the natural world, and the emotions that nature can evoke. It is those emotional states that I try to capture through my abstract art. Whether is the languid, peaceful delight of napping under a tree on a summer day, or withstanding the intensity of a winter storm, I enjoy the challenge of translating those emotional states onto canvas.

What is something unexpected about you that often surprises people?

You could say I have a passion for relatively uncommon athletic pursuits. I have been a life-long horseperson, and have ridden and competed in jumping and eventing competitions since I was a child. In addition to equestrian sports, I am an endurance athlete and enjoy running marathons, competing in triathlons, and am currently training for a trail ultramarathon (my second!) 50K race. I was a speedskater in high school, and luckily went to a high school that actually had a speedskating team!

What do you consider your most significant achievement as an artist?

Last year I installed my largest solo show to date at the Lillian Davis Hogan Gallery at St. Mary’s University. For that show, I created 50 new works in the span of just two years, which is the most significant body of work I had created yet. I was still working full-time in the corporate world as well, so there were lots of early mornings and late evenings in the studio. I’m really proud of the work I created in that time, and several of my favorite pieces emerged from that body of work!

How has your work evolved over time?

My art always reflects my life, so it’s natural that my art also shifts to reflect the broadened perspective that one gains with time and age. In some ways, I’m more refined and focused in my practice, especially when it comes to materials and technique. In other ways, time and experience has allowed me to have greater freedom and confidence to experiment and push the boundaries in my art.

Is there a particular medium or subject you're drawn to, and why?

In terms of medium, I’ve always loved the texture, malleability, gloss and longer drying times of oil paints. It forces me to slow down with a work in a way that I can’t do with quicker-drying mediums. My subject matter can be varied, but typically starts with an element of the natural world, whether that is inspiration found in the woods in my backyard, or geometric patterns, like the images of land seen from above. Sometimes the organic shapes of rocks and stones that I find on my daily walks are enough to launch a piece.

What's the most challenging part of being an artist?

For me, belief in one’s self and one’s own artistic voice has been the most challenging aspect of being an artist. There is so much comparison, especially with social media, so it can be incredibly difficult to stay true to your own style and voice. However, I believe our authenticity as artists is the MOST important thing, so staying true to our unique vision is critical.

Do you have a favorite piece you've created? Why does it stand out?

The piece titled “Fire in the Sky” is one of my favorite pieces. I painted that in response to the tragic Maui fires that burned the city of Lahaina, a cherished city of my husband’s and mine. I channeled my emotions of grief, loss and pain into that painting, and I think the intensity of emotions comes through on the canvas. I’m grateful that art gives me the ability to transmute difficult emotions into something beautiful.

Where were you born and where did you grow up?

I was born here in the Twin Cities and grew up in Roseville. After high school, I didn’t stray too far from the nest, and attended college at St. Olaf in Northfield where I majored in Studio Art and Art History. My husband and I have lived in the south metro for the past 20 years.

Who are your artistic influences or mentors?

Stylistically I’m heavily influenced by the Abstract Expressionists. I’m a huge fan of Joan Mitchell, Lee Krasner, Jackson Pollock, Mark Rothko, Willem de Kooning, Helen Frankenthaler and the others of this period. I consider one of my mentors to be Wendell Arneson, one of my college painting professors. I was struggling to find my voice and style during this time, and he encouraged me to paint what I’m passionate about, and not worry about making my art fit into a certain mold. His enthusiasm for art was infectious, and I always felt very supported and encouraged during my early years as an artist.

What advice would you give to emerging artists?

Keep going! Believe in what you are doing and believe that what you say through your art is important and makes a difference. Don’t be afraid to make mistakes, throw away pieces, or paint over them. Produce as much work as you can, and with time, you own authentic voice and style will begin to emerge. It just takes time, belief, and miles of canvas!